Mr. Jost's Internet Classroom, Short Stories Index
8th Grade ELA
32+ stories: Ransom of Red Chief, Treasure of Lemon Brown, Medicine Bag, Raymond's Run, Lottery, Pedestrian, Fog Horn, Dragon, Veldt, There Will Come Soft Rains, more.
English Language Arts
Lesson plans, activity sequences, media pairings, and reading supports.
8th Grade ELA
32+ stories: Ransom of Red Chief, Treasure of Lemon Brown, Medicine Bag, Raymond's Run, Lottery, Pedestrian, Fog Horn, Dragon, Veldt, There Will Come Soft Rains, more.
AP Lit teacher archive
Auto-generated directory listing exposes the full file inventory at /wp-content/uploads/.
Florida Department of Education
Complete list of every Holt and Pearson worktext approved for adoption. Useful for ISBN hunting.
New York State Education Department
Bibliography of grade-level appropriate fiction and nonfiction.
Ironmanned case for TTRPG pedagogy with the academic-content multiplier hypothesis, every citation preserved and graded by evidence strength.
CommonLit
Free with educator account. Full text with guided reading questions, assessment questions, discussion questions, paired text recommendations, parent guide. Text tools include dictionary, read-aloud, translator, highlighter…
Varsity Tutors / englishteacher.org
Designed as exemplar lesson for 7th grade. Includes text-dependent questions with evidence-based answers, academic vocabulary, culminating writing task with writing prompt and structure, model response, and additional learning activities…
Study.com / Kristen (Ed.D.)
Post-reading lesson. Opens with discussion about whether stealing is ever acceptable. Students identify theme/central idea and write a thank-you note to one of the characters. Aligned to CCSS RL.9-10.2 (determine theme, analyze development). Free preview…
Natayle / Hey Natayle
5-day unit for 6th graders. Day 1: character analysis with S.T.E.A.L. method (Speech, Thoughts, Effect on others, Actions, Looks) and Character Carousel group activity. Day 2: internal/external conflict analysis. Day 3-5: theme, empathy, second chances…
Mondays Made Easy
Three activities: (1) Symbolism graphic organizer where students locate and interpret symbols in the story with pre-reading informational handout defining symbolism. (2) Hughes biography activity tracing formative years and literary influences…
Dorothy Heathcote tradition / Drama Resource (David Farmer)
One student or teacher sits in role as a character and answers questions from the class. For Thank You M’am: teacher-as-Mrs-Jones answers why she brought Roger home instead of calling the police…
Drama Teachers UK / Neelands tradition
Class forms two lines. A student walks between them as Roger at the moment Mrs. Jones leaves her purse unattended on the daybed. One side whispers reasons to take the money; the other side whispers reasons not to. The walker decides at the end…
Heathcote/Neelands tradition
Students create physical still images of key story moments: the purse-snatch, Mrs. Jones holding Roger by his shirt, Roger washing his face at the sink, the moment Mrs. Jones gives Roger the money…
Dorothy Heathcote / Gavin Bolton (1995, Drama for Learning, Heinemann)
Heathcote’s approach: students are cast as a team of experts with a commission from a fictional client. For Thank You M’am: students are journalists for the Amsterdam News (Harlem’s Black newspaper…
HFL Education / Heathcote tradition
Draw an outline of the character on a large sheet. Outside the outline: what others see (actions, speech, appearance). Inside: what the character feels, thinks, fears, wants. For Roger: outside shows the attempted theft, the blue jeans, the dirty face…
CommonLit
CommonLit module with full text, guided reading questions, discussion questions. Direct paired-poem resource for Thank You M’am: Mrs. Jones as the mother-figure delivering hard-earned wisdom to a young person…
Langston Hughes (from Montage of a Dream Deferred, 1951)
The poem that names the campaign’s setting. What happens to a dream deferred? In the campaign: this poem is the dimension’s thematic ground. Roger’s dream of blue suede shoes is a deferred dream. Mrs…
StoryboardThat
Visual storyboarding lesson for the commonly paired Myers story. Useful for scaffolding paired-reading week…
Stefanie L. B. Kaylor
Qualitative study examining how TTRPG play develops literacy skills and reading interests in teenagers. Finds that non-traditional texts used in TRPGs (magazines, graphic novels…
ResearchGate / multiple authors
April 2025 literature review. Three themes: (1) conceptual framework from play theory, developmental psychology, and literacy research; (2) empirical evidence on reading comprehension, vocabulary, writing skills, narrative competence…
Adam (Kentucky Educators for RPGs) / NGLC
Cites Kade Wells (South Dakota middle school ELA teacher) whose students doubled NWEA MAP growth using D&D as entire instructional framework. Cites foundry10/Game to Grow white paper on TTRPGs and social-emotional learning…
Adam / NGLC / McFarland Publishers
Profile of Sterling Harris at Western High School Louisville (JCPS). Peer-reviewed book: Tabletop Role-Playing Games in the Classroom: Infusing Gameplay into K-12 Instruction (McFarland, 2025). Free article; book is paid.
TTRPGkids
Curated bibliography of academic sources. Includes: Bowman & Standiford 2015 (Educational LARP in middle school, International Journal of Role-playing); Boysen et al. 2022 and 2023 (playful learning designs in teacher education…
Dorothy Heathcote & Gavin Bolton
The foundational text for Mantle of the Expert. Students study curriculum as if they were a group of experts with a commission from a fictional client. Directly parallel to bookwormburrows’ structure where the DM gives bookworms a purpose in the dimension…
Facing History & Ourselves
19 modular learning experiences using head/heart/conscience analytical posture. Each follows Engage/Explore/Extend structure. Insertable into any literature unit. The Mrs. Jones/Roger encounter rewards exactly this posture. Free with educator account…
Facing History & Ourselves
Designed around coming-of-age literature. Strategies for teaching setting as moral/social force, perspective-taking activities, voices and choices analysis. Mrs. Jones choosing to feed Roger rather than call police is a textbook voices-and-choices exemplar…
Facing History & Ourselves
Practical guidance for handling dialect and period-appropriate but now-offensive vocabulary. Relevant because Hughes 1958 story uses period dialect and the broader Harlem 1958 historical record includes period use of the word Negro. Free.
Facing History & Ourselves
Defines historical empathy as understanding people in the past by contextualizing their actions. This is exactly the cognitive move the fictional / historical 1958 Harlem dual layer asks students to make. Free.
ReadWriteThink (NCTE/IRA)
Students analyze Hughes poems in sociohistorical context then create their own poem on a current issue using the Literary Graffiti interactive tool. Develops literary-historical contextualization, voice, and written composition…
ReadWriteThink (NCTE/IRA)
Students conduct internet research, use interactive Venn diagram tool, build a museum exhibit on a Harlem Renaissance artist. Develops research, synthesis, cross-disciplinary connection…
ReadWriteThink (NCTE/IRA)
Students compare Whitman I Hear America Singing, Hughes I Too Sing America, and Angelou On the Pulse of Morning. Tone, point of view, perspective-taking. Strong scaffold for hot-seating Mrs. Jones vs Roger. Free.
ReadWriteThink (NCTE/IRA)
Uses Carl Van Vechten 1936 LOC photograph as primary source for figurative-language and biographical study. Good establishing shot for the fictional Harlem layer. Free.
ReadWriteThink (NCTE/IRA)
Five typewritten drafts (LOC mcc.024) showing Hughes revision process. Develops the revision strand. Ontario 2023: strand C (Composition). In the fictional 1958 Harlem: bookworms visiting Hughes workroom at 20 East 127th might find these drafts on the desk…
PBS LearningMedia
Hughes biographical clip plus full reading of his first published poem (1922). Develops figurative-language and connotative-meaning standards. Free with educator account.
C-SPAN Classroom
Schomburg Center Director Howard Dodson interview footage. Downloadable graphic organizer. Free.
TeachRock
Connects Hughes poems (I Too, Negro Speaks of Rivers, Homesick Blues, Harlem) with Blues lyrics. KWL chart handout. Develops media literacy and the place-based Harlem-as-cultural-context strand. Free.
Annenberg Learner
Full documentary with James Baldwin and biographer Arnold Rampersad. Gold-standard background video for teacher prep. Free streaming.
Jennifer Gonzalez / Cult of Pedagogy
Practitioner overview of RJ in schools. Comments thread recommends Touching Spirit Bear (Mikaelsen) as narrative RJ parallel. Same logic applies to Thank You M’am: Mrs. Jones substitutes relationship-building for police involvement, community accountability…
Colorado CDPS
Concrete classroom scenarios usable as parallel readings to Thank You M’am. Free PDF.
University of North Carolina K-12 Database
Scripted ethical role-plays (Student A asks Student B to copy on a test; Student C must decide whether to tell teacher) plus alternate-ending creative writing. Direct alignment with the campaign diceless/role-play model…
Mike P. Cook, Matthew Gremo, Ryan Morgan
Qualitative study of 36 middle-school ELA students using a Pathfinder-modified TTRPG paired with Connell The Most Dangerous Game. Found textually grounded gaming decisions, meaningful collaboration, narrative learning through character…
Ruth Sayers
Frames Mantle of the Expert as Wenger-style Community of Practice. Directly relevant to the campaign students as literary detectives in Hughes Harlem frame. English in Education 45(1) 20-35. DOI: 10.1111/j.1754-8845.2010.01084.x. Paid journal; abstract free.
Anastasia Salter & Stuart Moulthrop
Peer-reviewed monograph on Twine as critical, creative, and pedagogical medium. Chapters on classroom integration of branching interactive fiction. DOI: 10.3998/mpub.12255695. Free open access.
Gabi Kirilloff
Open-access peer-reviewed lesson. Surveys prior pedagogical literature on Twine in teaching (Jeremiah McCall on history-classroom Twine, Jonathan Kotchian on composition and reader response). DOI: 10.46430/phen0095. Free.
Stephanie W. Cawthon, Katie Dawson, Shari Ihorn
Drama for Schools model increases authentic engagement among middle-school students. ERIC: EJ985619. Journal for Learning through the Arts. Free PDF.
Anderson & Loughlin
Exploratory study showing process drama expanded students text-user, meaning-maker, and text-analyst practices. Pedagogies: An International Journal. ERIC: EJ1139685. Free abstract.
Ontario Ministry of Education
Canonical strand reference. 2023 document orders strands as A (Literacy Connections and Applications), B (Foundations of Language), C (Comprehension: Understanding and Responding to Texts), D (Composition: Expressing Ideas and Creating Texts)…
TVO Learn / Ontario public broadcaster
Learning activities, vocabulary lists, videos, articles, podcasts aligned to 2023 Ontario curriculum. Free.
TVO Learn / Ontario public broadcaster
Grade 8 page explicitly states students are encouraged to explore issues related to personal identity and community concerns as they interact with increasingly complex and challenging texts. Direct fit with campaign identity/empathy themes. Free.
Saul Nassau / Seminar Schools
Full course outline map across ENG2D, ENG3U, and ENG4U. Literary devices by grade, poetry and short story unit resources with difficulty progressions, novel study and ISU lists from easiest to hardest, drama unit resources, media studies unit outline…
Saul Nassau / Seminar Schools
Student-facing interactive campaign built on the Langston Hughes 1958 short story. Set in Harlem, September 20-21, 1958. Part of the BookwormBurrows tabletop educational system. Includes period media, historical research, and dimensional-travel game mechanics.
Saul Nassau / Seminar Schools
Student-facing interactive campaign page for the Langston Hughes short story Thank You Ma'am. Set in 1958 Harlem on September 20-21. Includes period media (music, newsreel, photographs, front pages), historical context, and the full campaign framework…
Mo Willems
Eight transcript-aligned performance scripts, with one monologue per page. Phrase-linked action cues support expression and movement; optional partner lines make each selection playable solo or with a scene partner…